Playlist Shuffle Tag prompted by Julie Davide – Book Reviews and Other Musings

This was too fun for me to pass up.

Following an idea I read about on Julie Davide – Book Reviews and Other Musings, I put on the “My Top Rated” playlist from my iTunes library with shuffle selected, and I vow to honestly post the resulting list of 15 random songs.

music CD cases Vinyl records - 2

In keeping with Julie Davide’s retro artwork, I pulled out physical copies of albums where I could. Here’s Graceland, by Paul Simon, on vinyl.

I did limit shuffle to this one playlist because, as a parent, there’s a fair amount of “stuff I loaded to please other people” in my library. “My Top Rated” is all music that I’ve chosen for my own pleasure, much of which I can’t even play when the kids are in the car due to mature content…

My results are below this excerpt from—and link to—Julie Davide’s blog.

The Playlist Shuffle Tag Happy Thursday y’all. I’ve seen this tag around on other blogs and decided to join in the fun! I have a feeling that this will turn out quite the array of my musical taste as my musical palette has a wide range. Without further ado, and while avoiding any duplicates, I hope […]

via Tags – The Playlist Shuffle Tag — Julie Davide – Book Reviews and Other Musings

15 16 Really Wonderful Things that shuffled up from my iTunes Library.

  1. “Rare Child” by Danielia Cotton, whom I first heard being interviewed on NPR (i.e., National Public Radio.) She’s got a soulful rock & roll sound, and I enjoy the whole album, also titled Rare Child.
  2. “Taking a Liking” by Melissa Ferrick was included on my Out Loud compilation CD/album for the human rights and freedom of lesbians and gays. It’s a love/ wanna-be-in-love song for someone who admits her faults but also her desires.
  3. “The Lady in Red” by Chris de Burgh, a sentimental favorite from my pop radio listening childhood that now reminds me of my doting and superlative husband. I can’t help but assume his thoughts echo those of the singer of this love song. It helps that I heard de Burgh interviewed on the radio when I was a girl, and he spoke of how he saw his own wife across the room at a party and came to write this song. If they eventually broke up, don’t tell me: I love this sweet story.
  4. “Miz Thang” by SaffireThe Uppity Blues Women from their album music CD cases - 2Broad Casting; I saw them live in college. This song celebrates the powerful woman. My favorite lyrics: “It ain’t about an ego/ and I’m not being rude/ but Lord, Lord, Lord, I’ve got a new attitude/ If you like my peaches/ come on and rub my fuzz/ I’ll share with your the power, the wonder and the love…” Also consider checking out “Shake the Dew off the Lily” if you’re willing to hear another great bluesy song about a commonplace, slightly off color occurrence in the WC but draped in a lot of floral metaphors.
  5. “Fur” by Jane Wiedlin. She’s a former Go-Go, so it’s the bounciest song about protecting animals from cruelty and vivisection on the PETA organization’s 1991 compilation Tame Yourself.
  6. “You Can Call Me Al” by Paul Simon. I doubt Mr. Simon needs further introduction, but this came from his album, Graceland, which was my re-introduction to his artistry post-Muppet Show guest appearances. He and Chevy Chase are hilarious in the music video for this song.
  7. “Money Changes Everything” from Cyndi Lauper‘s debut studio album, She’s So Unusual. This vinyl record was one of the first albums I ever purchased; I bought her greatest hits via iTunes to include these all time favorites in my digital catalogue.
  8. “There She Goes” by Sixpence None the Richer. It is a pleasant song. I rarely choose to search it out, but I almost always let it play through when it pops up. I didn’t know this band was a Christian one until I read their Wikipedia page for this post.
  9. “Don’t You Forget About Me” by Simple Minds, because The Breakfast Club music CD cases - 3was absolutely my favorite Brat Pack movie of the 1980’s and this song made me feel like we could fight authority’s labels for us all and even break free from them. It still sums up that emotional climax for me. Maybe now I have more in common with the principal than the rebellious teens, but my heart doesn’t realize it.
  10. “Must Be Crazy For Me” by Melissa Etheridge. Her 1992 album Never Enough was one of the vital soundtracks of my college years, but I listen to it more from nostalgia than excitement today. This song always was my favorite from this album, but I find “You Can Sleep While I Drive* her most beautiful work.
  11. “Speed and Velocity” by They Might Be Giants. You could call Here Comes Science a kid’s album, but adult TMBG fans should enjoy it, too. I really do! Plus, it’s so educational: “Motion, direction, acceleration/ I’ve got speed—that’s how fast I am moving/ I’ve got velocity—that’s my speed and direction.” If either of my kids ever misses this question on a Physics test, they’ll be subjected to hours of non-stop listening to this tune.
  12. “Kokomo” by The Beach Boys. Slightly sheepish about this one, but I bought their Greatest Hits album last summer when I wanted to listen to… summer music. I bought a bunch of Motown singles that day, too. You feel like you should be riding in a convertible on your way to the beach listening to this stuff. And I don’t even like the beach!
  13. “San Francisco” by Brett Dennen is a catchy pop song I got for free from Starbucks back when they had those little cards on the checkout counter. My young son collected Starbucks cards like other kids collected Pokémon. It’s a catchy tune, and a helpful travelogue for visitors to the City. Our SF hotel concierge carefully cross-hatched over the entire Tenderloin district as a place to avoid at all costs, but Dennen had warned me “Deep in the Tenderloin/ you can have anything you want.” That does sound dangerous. Don’t tell the concierge, but I ate at a Tunisian place at the edge of the Tenderloin. The food was fantastic, and a bargain in an expensive city.
  14. “Little Red Corvette” by Prince. Here’s a conundrum: I’ve been meaning to reduce my rating of this song so I hear it less often. I like it, but… I’ll skip the track if I’m not busy doing something else when it comes on. For that reason, I’m going to list 16 tracks instead of the fifteen I promised up front. I hit the button to advance to the next track, which gives us:
  15. “Light My Fire” by The Doors. music CD cases - 1Does this one require any discussion? It’s an oldie, definitely a goodie, and remains a fun listen. Watching the film, The Doors, back in 1991 left me with a more melancholic reaction to all of the band’s songs, however, draining much of the counter-culture exuberance from the work. Jim Morrison and Val Kilmer are all tangled up in my mind. I’m left with a vague fear of bathtubs, at least when rock legends or hard drugs are present.
  16. “American Idiot” by Green Day. I wish I never felt a connection to lyrics that include “Don’t want to be an American idiot/ One nation controlled by the media./ Information age of hysteria/ It’s calling out to idiot America.” I’d like to be a more thoroughly positive person. I do find angry punk music a great balm for my existential crises, though, and this song rocks. I fundamentally reject the notion that this song is about the real America, much the way I rejected my older relatives dismissal of youth (in 1992! regarding my generation! X! <snicker>) as incompetent or wayward. There are incompetent youths; there are moronic Americans. All that being said, the future will be carried by the young, for as long as there is a future, and America has created and cultivated some awesome ideas for humankind. Perfection? Never. But I’ll keep working on that, along with a few million other do-gooders.

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5 unforgettable films that transcend their stories: the greatest films according to me

I love great films, but my personal identity is not nearly so tied up in “myself as cinema-goer” compared to, say, “myself as voracious reader” or “myself as actor/theatre-patron.”* Still, I enjoy fine art in its varied forms, and I watch movies always hoping for a transcendent experience. Without a doubt, there is a short list of films that speak to me beyond a great story or a pleasant couple of hours passed. These land squarely in the realm of art appreciation, and here are my nominations:

Lawrence of Arabia

Epic, beautiful, brilliantly done; I’m not sure this one needs any justification. I had the pleasure of seeing Lawrence of Arabia on the big screen at an art house cinema. See this one in a theater if you can!

Stand By Me

Without question, I saw this movie at the right time in my life for its maximal impact, but it holds up for my adult self. Youth on a quest, buffeted and baffled by the adult world they will soon join but don’t yet fully understand… It’s all there, and with perhaps the best performances ever achieved by a few of its young stars. The story was believable, the cast succeeded in telling it, the visuals were a perfect complement: this is a great coming of age film.

Monty Python’s The Meaning of Life

Monty Python Meaning of Life VHSAs I composed this list during a bout of insomnia, I was fretting about the lack of comedies. I’m a funny person (if I do say so myself), and I enjoy watching comedy more than anything else. But, was there a truly great comedy in my history? And then, I remembered The Meaning of Life. Monty Python is always a hoot, but this is the one that wrapped it all up and tied it with a bow.

The Seven Samurai

Another epic; again, I’m almost embarrassed to add my 2¢ and attempt to express why this film is on my list. The camera work is breathtaking. To even imagine such mastery with the limited tools of the 1950’s boggles my mind. Though the setting in Japan is so foreign, the fundamental humanity of the story transcends time and place. Every one of us can empathize with the fearful villagers and the valiant samurai. And then, there is the performance by Toshiro Mifune as Kikuchiyo. It must be listed amongst the best performances of all time. I’ve never seen its equal.

And, finally, perhaps:

The Hours

The Hours is my only hesitation on this list. I loved it. It moved me deeply. I left transformed, and that’s why I’m writing about it today. I saw it fairly recently, and I haven’t returned to this film over a period of years like the others. Sometimes, though, there is an ineffable something about a work of art that latches onto your heart and won’t let go, and that’s what I felt here. In a decade, I’ll read this list and see if it was true love, or a passing fancy. The female leads carried the film in a masterful way, and the intertwining stories magnified each other, reflected and distorted each other, and created a whole greater than their respective parts. It’s rare to find the desperate lows and exultant highs of human experience exposed so well in the one story.

How I selected these titles

I think I demand something epic in the scope of the cinematography to call a film great. Size is a factor—the big screen, being big, seems to call out for spectacle! There is also the shared element of audience in cinema, as in theatre; these are works to be enjoyed in a group, though ideally evoking additional personal response within the communal experience. I want a film to have presence; it should stand out like a star, whether one of quiet dignity or gaudy sparkle.

A compelling story is a given, as are consistent performances by the cast, but I don’t demand a star or individual brilliance from the performers. The film itself should be brilliant to make this list. The movie must create a gorgeous, cohesive whole, impossible to imagine it made differently. It should feel perfectly, wholly itself.

Although the movie, overall, isn’t a favorite, I’m tempted to put Touch of Evil on this list just for the opening scene with the car driving through the town. It is the most agonizing three minutes of film I’ve ever watched. The suspense is brilliant, but the rest of the movie doesn’t stay with me in the same way.

Along similar lines, His Girl Friday and It Happened One Night both come close—very close!—but I think I’m responding as much to the dialog/acting/chemistry as to the film as a work of art, so those belong on a different list, which would also have Who’s Afraid of Virginia Woolfe

What do you think are the greatest films of all time? How do you make that decision? Cinematography? Cast? Story? Musical score? Or something I haven’t thought of here?

*I haven’t been on-stage in years, but, to my core, I see myself as an actor. It is as much who I am as a thing that I do or have done.